The chainsaw man Diaries
The chainsaw man Diaries
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Denji commences mercilessly shredding the Eternity Satan's insides, although the devil constantly rips him to shreds at the same time. Even so, Denji frequently regenerates by feeding from the Satan's blood. Just after viewing Denji's insanity, Himeno remembers when she frequented her previous companions' graves with her mentor, Kishibe, who told her that the majority of sane hunters ultimately die, and exclaimed that Aki was a little crazy for planning to eliminate the Gun Devil. In the restaurant, she unsuccessfully tries to prevent Aki from killing it by offering him to go personal. Back again during the current, a relieved Himeno realizes another person crazy like Denji can destroy the Gun Devil devoid of jeopardizing Aki's existence.
日下部的契約惡魔。使用方法是要在地上畫個法陣，站在法陣上向敵人吹拂，敵人便會被石化。石之惡魔的本體在地獄遭黑闇惡魔秒殺，契約者日下部亦隨之死亡。
対人護衛のエキスパートとして、玉置や吉田とともにマキマからの要請でデンジ護衛任務に参加する。闇の悪魔との戦いでは、両腕を奪われながらも血で魔法陣を描き石の悪魔の力で立ちむかうが敵わず、逆に石の悪魔を砕かれて自身の体も石になり、砕けてしまった。
右眼有著傷疤，比起兩位哥哥還要懦弱。在兩位哥哥被殺害後，曾變身成黑瀨去找黑瀨的朋友。後來曾打算偷襲光星、淀治等人，但最終失敗，最後疑似假裝受到宇宙的能力影響，出現在電視機上大喊「萬聖節」。
レゼが悪魔（武器人間）に変身した姿。首の右側にあるリング（手榴弾のピンのようなもの）を引き抜くことで変身する。変身は首から上が爆発したあと衣装が生成され、煙の中から頭部が現れて完了する。
チェンソーマンを倒すことができれば肉体を返すというヨルの言葉により、不本意ながら校内にある「デビルハンター部」入部を目指すこととなる。その過程で初めての友人となるユウコや、吉田ヒロフミ、デンジたちと接触する。
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チェンソーマンの眷属。頭部が無く、手足の先がハサミのような形状になっている。
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未來惡魔（未来の悪魔，聲：裕樹（日语：裕樹 (声優)）（日本）；郭湛深（香港））
早川秋和荒井博一等人的契約惡魔。全貌不明，分身外形酷似一隻巨大的狐狸，頭部和手部有多個大大小小的眼睛。召喚的方式是根據契約人類召喚部位的手型和「叩」的號令。喜歡帥哥，允許他們使用頭部，對人類特別親近，是公安許多成員愛用的惡魔，但吃下武器人後會因味道難吃而撤退。由於本體在京都，如果遭遇操縱空間的惡魔將無法被召喚。在與武士刀的戰鬥中被武士刀切開頭部戰敗，事後拒絕再與秋合作。
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Fujimoto's art model has also been commended. Collins praised Fujimoto's penmanship, stating that the "thickly-sketched strains on particular person people and nevertheless times Express the rough chainsaw man edges of [its] planet."[109] Dupree lauded the series' artwork design and style, stating: "as the Satan enemies in the story develop more effective, his creativeness for strange, abstract, and genuinely unsettling Visible storytelling reaches heights I have under no circumstances noticed in a Bounce series just before."[108] Beckett called the character layouts and standard linework "a little generic initially look," but that when "the carnage arrives flooding in," the collection "incorporates a clarity of style and regularity of vision which might be wondrous to behold.
住在德國的一名老人，原本被認為是「聖誕老人」，其實只是聖誕老人的精緻傀儡。